STREAMING MUSIK SEBAGAI KONSTRUKSI IDENTITAS (SEBUAH KAJIAN LITERATUR)
DOI:
https://doi.org/10.46306/ncabet.v3i1.169Keywords:
music streaming, social construction, social identity, streaming musik, konstruksi sosial, identitas sosialAbstract
In the current digital era, it is incredibly simple to appreciate music. It is now possible to enjoy music without purchasing CDs, cassettes, or even black plates. The availability of music streaming services has rendered internet connectivity the sole requirement for unrestricted music listening. Thus, music can be utilised to accompany daily activities as background music. Prior studies have indicated that an individual's identity might be discernible through the music collection hosted on a music streaming platform. This literary study aims to investigate the process of identity formation through music streaming services, drawing on past research and the social construction theory proposed by Peter L. Berger and Thomas Luckmann. Internalisation, externalisation, and objectivation are the three dialectical moments of social construction that occur during the identity formation process via the music streaming service, according to this literary analysis. The moments of introspection an individual experiences while listening to music on a personalised streaming service are compiled into a playlist that contributes to the formation of one's sense of self. When identical identities are present in a society, objectivation ensues, resulting in the formation of a new social identity
References
Andry, J. F., & Tjee, C. (2019). Musik Berbayar dan Unduhan Musik Gratis. 2(2), 9 15. https://doi.org/10.30813/jbase.v2i2.1727
Ardiansyah, L. (2018). Media Sosial Youtube Dalam Menunjang Popularitas Musisi Indonesia. Seminar Nasional Seni dan Desain 2018, 301 306. https://proceedings.sendesunesa.net/publications/268194
Arditi, D. (2017). Music Everywhere: Setting a Digital Music Trap. Critical Sociology, 45(4 5), 617 630. https://doi.org/10.1177/0896920517729192
Asosiasi Penyelenggara Jasa Internet Indonesia. (2023). Survey Penetrasi & Perilaku Pengguna Internet Indonesia 2023. Jakarta. https://survei.apjii.or.id/survei/2023
Berger, P. L., & Luckmann, T. (2013). Tafsir Sosial Atas Kenyataan: Risalah tentang Sosiologi Pengetahuan (H. Basri (ed.); 10 ed.). Jakarta: LP3ES.
Bolduc, H., & Kinnally, W. (2018). Examining the Impact of Social Identification with Music on Music Streaming Behavior. Journal of Radio & Audio Media, 25(1), 42 61. https://doi.org/10.1080/19376529.2017.1362893
DailySocial.id. (2018). Streaming Musik Online di Survei Indonesia 2018. Jakarta. https://dailysocial.id/research/online music streaming i n indonesia survey 2018
DeNora, T. (2000). Music as a technology of self. In T. DeNora (Ed.), Music in Everyday Life (hal. 46 74). Cambridge: Cambridge University Press. https://doi.org/10.1017/CBO9780511489433.004
Dewatara, G. W., & Agustin, S. M. (2019). Pemasaran Musik Pada Era Digital Digitalisasi Industri Musik dalam Industri 4.0 di Indonesia. WACANA, Jurnal Ilmiah Ilmu Komunikasi, 18(1). https://doi.org/10.32509/wacana.v18i1.729
Fung, A. Y. H. (2014). The iTunization of pop: Mobile music and youth social networks. 15(1), 23 43. https://doi.org/10.1558/prbt.v15i1.16737
Greasley, A. E., & Lamont, A. (2011). Exploring engagement with music in everyday life using experience sampling methodology. Musicae Scientiae, 15(1), 45 71.
Habaidillah, A. (2019). Diskursus Identitas Budaya Urban (Kajian Cultural Studies pada Event Jazz Traffic Festival Surabaya 2014). IKRA ITH HUMANIORA: Jurnal Sosial dan Humaniora, 3(2), 1 11.
Habibi, C. B., & Irwansyah, I. (2020). Konsumsi dan Produksi Musik Digital pada Era Industri Kreatif. Metacommunication: Journal of Communication Studies, 5(1), 23. https://doi.org/10.20527/mc.v5i1.7449
Habsy, B. A. (2017). Seni memehami penelitian kuliatatif dalam bimbingan dan konseling: studi literatur. Jurnal Konseling Andi Matappa, 1(2), 90 100. https://journal.stkip andi matappa.ac.id/index.php/jurkam/article/view/56
Hagen, A. N., & Lüders, M. (2016). Social streaming? Navigating music as personal and social. Convergence, 23(6), 643 659. https://doi.org/10.1177/1354856516673298
Hapsari, P. W., Manurung, S. M., & Andam, P. (2018). Perilaku Konsumsi dan Produksi Komunitas Penggemar Musik VOCALOID di Jepang 2008 2012. Media Bahasa, Sastra, dan Budaya Wahana, 1(12). https://journal.unpak.ac.id/index.php/wahana/article/view/662
Harris, M. (2020). What Is Streaming Music? https://www.lifewire.com/what is streaming music 2438445
Hutapea, B. (2011). “Yang Muda, Yang Berdendang” Traits Kepribadian Dan Preferensi Musik Pada Anak Muda Perkotaan: Suatu Studi Replikasi Pada Mahasiswa Di Jakarta. 4, 136 142. http://repository.gunadarma.ac.id/996/1/TRAITS KEPRIBADIAN DAN PREFERENSI_UG.pdf
Kamehkhosh, I., Bonnin, G., & Jannach, D. (2020). Effects of recommendations on the playlist creation behavior of users. User Modeling and User Adapted Interaction, 30(2), 285 322. https://doi.org/10.1007/s11257 019 09237 4
Khadavi, M. J. (2014). Dekonstruksi musik pop Indonesia dalam perspektif industri budaya. Jurnal Humanity, 9(2). http://ejournal.umm.ac.id/index.php/humanity/article/view/2392
Kietzmann, J. H., Hermkens, K., McCarthy, I. P., & Silvestre, B. S. (2011). Social media? Get serious! Understanding the functional building blocks of social media. Business horizons, 54(3), 241 251. https://doi.org/10.1016/j.bushor.2011.01.005
Lawendowski, R., & Besta, T. (2018). Is participation in music festivals a self expansion opportunity? Identity, self perception, and the importance of music’s functions. Musicae Scientiae. https://doi.org/10.1177/1029864918792593
Lüders, M. (2019). Pushing music: People’s continued will to archive versus Spotify’s will to make them explore. European Journal of Cultural Studies, 0(0), 1 18. https://doi.org/10.1177/1367549419862943
Nag, W. (2017). Music streams, smartphones, and the self. Mobile Media & Communication, 6(1), 19 36. https://doi.org/10.1177/2050157917719922
Prasetiyo, A. (2013). Preferensi Musik di Kalangan Remaja. PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik, 1(1), 75 92. https://doi.org/10.24821/pro.v0i0.541
Ratka, A. (2018). Exploring Identities in Online Music Fandoms: How identities Formed in Online Fan Communities Affect Real Life Identities. https://digitalcommons.pace.edu/honorscollege_theses/174/
Rentfrow, P. J., McDonald, J. A., & Oldmeadow, J. A. (2009). You are what you listen to: Young people’s stereotypes about music fans. Group Processes & Intergroup Relations, 12(3), 329 344.
Rochow, K. (2010). “Show me your playlist and I tell you who you are”: An investigation of the social psychological foundation of musical playlists. http://uu.diva portal.org/smash/record.jsf?pid=diva2%3A535713&dswid= 1009
Septiyan, D. D. (2019). Pengaruh Habitus Dari Selera Musik Terhadap Konsep Diri Penikmatnya. Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik, 1(2), 101 108.
Setianingtiyas, K. L. (2018). Media Sosial Instagram Sebagai Wadah Kreatifitas dalam Seni Musik. Seminar Nasional Seni dan Desain 2018, 289 294. https://proceedings.sendesunesa.net/publications/268192/media sosial isntagram sebagai wadah kreatifitas dalam seni musik
Siles, I., Segura Castillo, A., Sancho, M., & Solís Quesada, R. (2019). Genres as Social Affect: Cultivating Moods and Emotions through Playlists on Spotify. Social Media + Society, 5(2), 205630511984751. https://doi.org/10.1177/2056305119847514
Spinelli, L., Lau, J., Pritchard, L., & Lee, J. H. (2018). Influences on the Social Practices Surrounding Commercial Music Services: A Model for Rich Interactions. ISMIR, 671 677. http://ismir2018.ismir.net/doc/pdfs/52_Paper.pdf
Stets, J. E., & Burke, P. J. (2000). Identity Theory and Social Identity Theory. Social Psychology Quarterly, 63(3), 224 237. https://doi.org/10.2307/2695870
Stokes, J., & Price, B. (2017). Social media, visual culture and contemporary identity. 11th International Multi Conference on Society, Cybernetics and Informatics, IMSCI 2017, 159 163.
Sugiharto, B. (2015). Untuk Apa Seni? Bandung: Pustaka Matahari.
Wang, S. (2018). Music, social media and public pedagogy: indie music in the post Cantopop epoch. Asian Education and Development Studies, 7(1), 42 52. https://doi.org/10.1108/AEDS 03 2017 0022
Wood, M. A., Bukowski, W. M., & Lis, E. (2016). The Digital Self: How Social Media Serves as a Setting that Shapes Youth’s Emotional Experiences. Adolescent Research Review, 1(2), 163 173. https://doi.org/10.1007/s40894 015 0014 8
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Aji Satria Nugraha, Siti Komariah, Siti Nurbayani
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
